Blu-ray review: The Man Who Killed Hitler and Then the Bigfoot (2018)

The Man Who Killed Hitler.jpg

The Man Who Killed Hitler and Then the Bigfoot (2018)
Sparky; certificate 15 (out now)
Originally written for Dark Side magazine

When perhaps the last of the mythic man-beasts also known as Yeti begins to stray from its usual territory in the Canadian wildwoods, spreading a deadly disease which threatens all living creatures, the US Government press-gangs the legendary hunter responsible forty years earlier for assassinating Adolf Hitler in the final days of World War Two. In addition to his remarkable tracking and combat skills, Calvin Barr’s rare immunity to the virus carried by the Bigfoot may be our own species’ single hope to avoid destruction.

The difficulty with this film, the feature debut of writer-director Robert D Krzykowski, is that it hangs almost entirely upon the excellent performance from Sam Elliott (Hulk, Ghost Rider) as the world-weary Barr, haunted by both his past (Aidan Turner steps in for the counterfactual WW2 flashbacks) and the future happiness he was denied. Entertaining as the premise is, it would be nothing without Elliott at its heart.

Déjà vu All Over Again

Echo Beach

[From the programme book produced for the 2005 installment of the Oxford comics convention Caption.]barb-wire


There’s nothing original, so they say (and “they” probably stole that aphorism in the first place). Drama entire can supposedly be reduced to a mere seven plots (six-and-a-half fewer if you happen to be Barbara Cartland), which explains the sense of déjà vu typified by watching Barb Wire on video and realising Pamela Anderson is channelling Humphrey Bogart in a gender-reversed Casablanca.

I write as one who has succumbed: the appearance of the eponymous hero in “Inspector X”, a cartoon strip I produced for the amusement of classmates at age 12, was lifted wholesale from “I Spy”, a regular in Sparky, one of the many weekly comics of the early 1970s.


But such plagiarism is not always conscious. For the past couple of decades, I’ve followed Alfie Bester’s suggestion in Hell’s Cartographers and scribbled down passing ideas in a succession of notepads and sketchbooks. Amongst them was the synopsis for a short story: guy finds secret of immortality, is mistakenly convicted of murder, realises to his horror that this particular US state doesn’t have the death penalty.

Fast forward to early March 2004: I’m listening to BBC R7 on our new digital radio, and catch a 1990s adaptation of Rod Serling’s 1959 Twilight Zone script “Escape Clause”, wherein hypochondriac Walter Bedeker sells his soul to become immortal and is wrongly convicted of his wife’s murder, etc, etc.

Four days later, I tune in by pure chance to Oneword, another digital station, and hear The Inner Sanctum (a rather over-excited spin on the old EC Comics), wherein a scientist’s widow traps his killer, who committed murder in order to become immortal, but now finds himself behind bars for the rest of his (un)natural.


Okay, okay, I get the point: even though I honestly couldn’t recall seeing the original Zone episode and had never heard of The Inner Sanctum before, I do possess the landmark Gary Gerani / Paul Schulman tvsf overview Fantastic Television (which confusingly juggles the “Escape Clause” details over three columns) and the Jean-Marc / Randy Lofficier programme guide Into the Twilight Zone, as well as Joel Engel’s excellent Rod Serling biography, so it’s pretty obvious this particular meme slipped into my head years ago. Bugger.


Still, at least I can now devote myself to my latest story idea, positively bursting with originality: two aliens called Adam and Eve crashland upon an unpopulated planet, trip over the Statue of Liberty and fall through a time vortex to kill their own grandparents. I suspect it needs a little work, but I’m sure Interzone will love it.