This past month, I’ve watched all 39 episodes of the original 1960-62 run of Danger Man, which is both a great showcase for its charismatic star Patrick McGoohan (who’d turned down the role of James Bond in favour of the far more believable John Drake) and a crash course in the strictures of tight television thrillers. It’s amazing how much can be squeezed into 25 minutes if you follow Fritz Lang’s approach (cf The Big Heat) and only include scenes which are crucial to narrative, characterisation or both.
One bonus of interviewing Dagmar Lassander was presenting her with one of the Society of Fantastic Films’ special awards for services to the genre. The statuette is loosely modelled upon the Maria robot from Fritz Lang’s Metropolis.
I had the immense pleasure yesterday of interviewing German actress Dagmar Lassander (The Frightened Woman, Forbidden Photos of a Lady Above Suspicion, The Black Cat) on stage at the 27th Festival of Fantastic Films, as well as presenting her with the Society of Fantastic Films International Award, a rather lovely statuette modelled upon the robot Maria from Fritz Lang’s Metropolis.
Our conversation is earmarked for publication in a future edition of The Dark Side, with the footage appearing later on Ghostwords TV (alongside other interviews filmed that afternoon by my colleague Chrissie Harper).
In the meantime, Big Centre TV will be airing an extract of my recent chat with FrightFest’s Alan Jones tomorrow as part of its breakfast show Good Morning, with repeats during the day’s news programming.