The inaugural episode of Ghostwords TV is now available online, featuring an interview with Ramsey Campbell, news and reviews, editorial opinion and a personal tribute to David Bowie. You can subscribe to the feed here.
Here’s a nice photo of the actress Valerie Leon and myself at the 1996 Festival of Fantastic Films in Manchester. She’s reportedly busy filming a new horror comedy, Pitfire of Hell, co-starring fellow scream queen Ellie Church, directed and co-written by Bob East. Ms Leon is 5’11” tall, by the way, and I’m pretty sure she was wearing high heels.
For those who recall our pre-Xmas announcement, Chrissie’s and my plans for Ghostwords TV continue apace. We’ve managed to pull together the equipment we need for the initial launch, dressed the ‘set’ (aka the upstairs bedroom Chrissie uses as an office, the same function it had when I first freelanced back in the early ’90s) and filmed a couple of brief tests. We’re probably a couple of weeks away from releasing our first episode, but would strongly suggest anyone who wants to catch the show from the get-go should immediately subscribe to our YouTube channel.
I’ve been looking through a few of my photo albums and it struck me it might be nice to dust a few of the pictures off for a wider audience. The two below were taken at Manchester’s Festival of Fantastic Films in 1995, when the guests also included directors Roger Corman (whose Gas-s-s-s and The Trip are about to be released on R2 Blu-ray by Signal One), Robin Hardy (The Wicker Man) and Norman J Warren (an old friend, whose canon includes Satan’s Slave and Inseminoid).
Anyway, here’s a rather nice snap of myself with Hammer scream queen Barbara Shelley, who rather curiously — albeit charmingly — thought we already knew each other. Perhaps she mistook me for one of the Martian bugs she’d encountered in Quatermass and the Pit.
Oddly enough, Ms Shelley wasn’t the only actress present who’d had to fight off an invasion from the Red Planet, since we were joined by Ann Robinson, who apparently quit showbiz after The War of the Worlds in order to marry a matador (although she had a brief cameo alongside original co-star Gene Barry in the Spielberg remake).
As previously mentioned, the Birmingham Horror Group held its inaugural meeting on 5 December in Acocks Green, when the turn-up comprised James Brogden, Ray Holloway, Louise Palfreyman, Chrissie Harper and yours truly — plus, addressing us via Skype from his home in Wallasey, group president Ramsey Campbell. A follow-up gathering took place on 2 January, but a virtual appearance by Dez Skinn unfortunately fell foul of wifi problems. The next is scheduled for 6 February; details will be posted here.
As one year draws to a close, whilst another waits in the wings, might I just mention the new Ghostwords TV project Chrissie Harper and I are collaborating upon, a fortnightly vidcast devoted to the horrific and darkly fantastic?
More very soon, but for now, here’s a festive ho-ho-homicidal message from Valentine Dyal-Up.
*amazingly, that’s how my voice sounds Chrissie plays with it
For those who haven’t heard yet, the latest issue of The Dark Side (#171) features my first work for Britain’s leading horror movie magazine this side of the Millennium. It’s good to be back.
Back in November, I reported plans for the Birmingham Horror Group, and I’m pleased to report the first meeting took place as scheduled on 5 December, within the cosy confines of the Spread Eagle pub, Acocks Green. To make the evening even more memorable, honorary president Ramsey Campbell made a special appearance via Skype (you can see a short video clip at the Group’s website).
The next gathering will take place at the same venue on Saturday, 2 January. In the meantime, Chrissie Harper’s design for our logo makes its debut to the immediate left.
One was a sinister alien fixated on global domination at all costs. The other was a character in Doctor Who.
[Published on IMDb, 2005)
The US has a history of lifting successful comedy formats from the UK, some of which have proved as successful – and occasional more so – than the original templates. Steptoe and Son became Sanford and Son, Till Death Us Do Part begat All in the Family, Man About the House mutated into Three’s Company. Payne is not one of those shows.
Much as the US version of Coupling appears to have surgically sliced out the sex and sarcasm which made the original so funny, the team behind Payne seems unable to grasp that none of the characters in Fawlty Towers are meant to be likable, with the possible exception of Polly. Basil acts superior but has deep insecurities, Sybil is a self-centred bitch, Manuel is an idiot, even the guests are barely coherent.
But that’s what makes them human. And funny. And whilst we bemoan the fact that Cleese & Booth produced only a dozen episodes of Fawlty Towers, we can sit agog that Payne made it as far as nine.